Matt and Travis welcome friend of the pod William Remmers to the show to discuss Varda’s final narrative fictional feature, One Hundred and One Nights of Simon Cinema. Created in celebration of the French’s conveniently defined 100th birthday of film, Varda’s movie features an astonishing number of international stars and film references of every kind you can imagine. We discuss the film’s unmistakable imprint of the unique sensibilities of Varda along with the historical significance of the film paired with its modest idiosyncrasies.

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• Matt Gasteier: Letterboxd
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• William Remmers: Instagram | Varda clip

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Created in the final months of husband Jacques Demy’s life, Varda’s fourteenth feature is one of her most emotionally resonant and visually sumptuous works. On this episode, Matt and Travis discuss the film’s multi-faceted structure as a fictional recreation of Demy’s childhood, a documentary portrait of Demy as an aging and sick adult, and a visual essay on the ways in which Demy’s childhood directly informed his work as one of the most aesthetically dynamic French filmmakers of his generation.

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• Matt Gasteier: Letterboxd
• Travis Trudell: Letterboxd

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On the fifth episode of the Complete Varda, Matt and Travis discuss another of Varda’s unique explorations, 1969’s Lions Love (…and Lies was added at some point after the initial release). Filmed during Varda’s first stint in Los Angeles, the movie is largely formless and flirts with the line between documentary and fiction in a way that would define much of Varda’s later work. We discuss these fascinating new areas of exploration, and also cover the two shorts Varda made during this time in northern California, Uncle Yanco and The Black Panthers.

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• Matt Gasteier: Letterboxd
• Travis Trudell: Letterboxd

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On the fourth episode of the fifth season, Matt and Travis welcome their first guest of the season, the eternally wise and effortlessly cool David Blakeslee of Criterion Reflections, to discuss one of Agnès Varda’s most unusual and idiosyncratic films, 1966’s Les Creatures. We discuss the unusual status of the film as Varda’s most commercial and most experimental movie, along with the film’s context within the larger FNW sci-fi adventures of the mid to late 60s.

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• Matt Gasteier: Letterboxd
• Travis Trudell: Letterboxd
• David Blakeslee: Criterion Reflections | Facebook

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